DUBLIN

DUBLIN

STREET

STREET

PHOTOGRAPHY

PHOTOGRAPHY

FESTIVAL

FESTIVAL

International Street Photography Open Call.

Your chance to shine.

We are delighted to offer three international street photo open call categories at the 2027 Dublin Street Photography Festival.

Single Image Category.

Series Category.

Street Portrait Category.

Our street photo open call is open to everyone, anywhere in the world. Photographs do not need to be from Dublin, we want to see your best street shots from everywhere.

Rewards for DSPF Winners and Finalists

Our Finalists

All nominated finalists will be exhibited at our 2027 festival through a mix of photographic prints and digital display. Becoming a finalist at the Dublin Street Photography Festival is a significant career milestone, providing a platform for your work and offering substantial exposure through our festival exhibition and on our social media and website. We credit all work shown with the artists name and social media details.

Our Category Winner Prizes

The winner in each of the three categories — Single Image, Series, and Street Portrait — will secure the following:

  • Feature Exhibition: A feature exhibition dedicated to your work at the next edition of the Dublin Street Photography Festival. This is a crucial opportunity to present a complete body of work to a dedicated international audience.

  • A prize package to the value of at least €1,000, which may include a cash award or high-value photography equipment, to support your ongoing practice.

Additional Benefits

Beyond the main prize, all Category Winners gain access to benefits designed to enhance their profile and career trajectory:

  • Guaranteed Visibility: Extensive exposure across the Dublin Street Photography Festival's website, social media channels, and through dedicated press releases.

  • Networking Access: Direct opportunities for engagement and networking with festival curators, industry professionals, and key cultural partners.

  • Certified Validation: Receive the official Dublin Street Photography Festival Winner title and certificate, adding credibility to your portfolio and CV.

    Please read the entry requirements carefully.

Time Restrictions on Photo Capture

To ensure the Dublin Street Photography Festival open call features new and contemporary work, we implement the following photo capture time limitations:

Single Image and Street Portrait Categories:

Photographs submitted must have been captured between 1 January 2025 and 31 January 2027. This restriction promotes the consideration of new and fresh work for selection and exhibition.

Series Category:

Recognising that series projects often require considerable time for development and completion, entries in the Series category are exempt from any time restriction. You may submit cohesive projects regardless of the capture dates, provided the work adheres to all other eligibility rules.

Closing date for entries is 31 January 2027

Workshops

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Our Judges

  • Matt Weber

    Matt Weber has been photographing New York City for more than 40 years, the city in which he was born. He was among New York's pioneering graffiti artists of the 1970s. He was an original member of the Soul Artists graffiti collective. Weber went by the tag MALTA before leaving graffiti behind at 18.

    He went on to drive a New York City taxi. Bored by the monotony, he picked up a camera in 1984 and began documenting life through the driver's seat.

    Weber used film to capture the city in all its nuance: the old Times Square triple-X theaters, lovers on the subway, street fights, the fall of the Twin Towers, and mermaids eating hot dogs in Coney Island. His photographs preserve the everyday moments and unique characters of a constantly changing New York.

    Forty of Weber's photographs are held in the permanent collection of the Museum of the City of New York. His books include The Urban Prisoner (2004), Street Trip: Life in NYC (2019), Coney Island: Double Vision (2022), and New York City 1985 (2024).

    His photographs have appeared in film and documentary projects involving Ken and Ric Burns, Spike Lee, and Lin-Manuel Miranda. Weber is also the subject of Dan Wechsler's award-winning feature documentary More Than the Rainbow.

    Recent exhibitions include Vanishing City, a collaboration with longtime friend Eric Haze at Atelier Jolie in New York, and Metropolis: Street Photography 1985–2025 in Sydney, Australia. His work was also featured in the landmark Beyond the Streets exhibition in Brooklyn in 2019. Through the digital era, he has found enormous amounts of support via 75k fans who grasp for his daily musings on Instagram.

    Through his photographs, Weber has archived a city that otherwise exists only in people's fleeting memories.

  • Julie Hrudová

    Julie Hrudová (Prague, 1988) is a street and documentary photographer and photo editor based in Amsterdam, The Netherlands. Her work explores the absurdities of everyday life in (mostly) urban environments.

    Julie has collaborated with a wide range of publications and her photography has been exhibited in numerous shows, on an international scale. Her book Chasing Amsterdam, featuring her weekly photos of Amsterdam taken for Het Parool paper, was selected as one of the best Dutch photo books of 2022 by de Volkskrant. She currently continues to contribute weekly evening photos to this section. (Photo by Grant Walker)

  • Stephen Leslie

    Stephen Leslie is a London based writer and photographer. His work has been featured in Unseen London (Hoxton Mini Press, 2017) and Reclaim The Street (Thames & Hudson 2023) To date, Bump books have published 4 of his zines with another one forthcoming in 2027. He has also published two monographs combining his photographs with original stories, Sparks (2018) and Mostly False Reports (2024). He's planning on having another book out in 2027 but he's not telling anyone what that's about.

  • Karlynne Wintels

    Karlynne Wintels is a street and documentary photographer based in the Netherlands. Her work captures street life through a strong use of geometry, contrast, light and shadow, finding unexpected and layered compositions and moments in ordinary surroundings. Her photographs have received international recognition, including in the IPA awards, the Siena Photo Awards, Re-Focus awards and second place in the singles category at the 2026 Dublin Street Photography Festival. Her work has been exhibited internationally and featured in publications and podcasts.

  • Anna Lohmann

    Anna Lisa Lohmann is an internationally awarded street photographer from Germany with a deep love for storytelling and vivid colours. For her street photography is High Alert Meditation. Always looking for the extra-ordinary within the ordinary. She strongly believes nothing staged could ever be as rich, wonderful and surprising as real life unfolding in front of your lens. Anna has been living for several years in London and is a Licentiate of the Royal Photographic Society. She was nominated for the British Photography Awards. Images of hers have been published in several magazines and books and exhibited around the globe. Anna loves to spread the joy for street photography through workshops and talks.

  • Susanne Bartels

    Susanne Bartels is a photographic artist and visual poet based in Munich. Inspired by the Surrealists, she finds wonder within the familiar. Her images inhabit the in-between: between intimacy and mystery, movement and stillness, the visible and the felt. Her approach blends observation and intuition. Her practice encompasses photobooks, long-term projects, and Ikigai., an ongoing photographic dialogue with Japanese photographer Kazutoshi Yamaguchi. Her work has received awards in international competitions and has been shown in solo and group exhibitions worldwide.

  • Sakulchai Sikitikul

    I was born in Songkhla Province in southern Thailand in 1974. I considered myself as a serious street photographer since 2011. My photos are usually taken in my hometown and sometime abroad.

  • Michele Zousmer

    I am a self-taught humanitarian and fine art photographer drawn to people and communities whose lives are often overlooked or misunderstood. Through my photographs, I explore how people live through hardship, find strength, and hold on to what matters to them.

    My work begins with listening. I spend time getting to know the people I photograph, building trust and allowing their stories to unfold. These relationships are central to my work. I want my photographs to reflect the dignity, complexity, and humanity of each person, beyond the circumstances that may define them in the eyes of others.

    Photography lets me challenge prejudice and bring attention to lives that too often go unseen. I look for moments of connection, beauty, and grace in everyday life, even when life is difficult. My hope is that viewers will look more closely, question their assumptions, and recognize something of themselves in the people they see.

Open Call Entry Requirements

  • Open to all photographers globally, aged 18 years or older by the entry deadline.

  • You can enter as many times as you like.

  • No restriction on photography experience.

  • Photographs must be candid, spontaneous and captured in public spaces.

  • Submissions must be original work by the entrant.

  • AI-generated or digitally manipulated images (beyond standard editing) are ineligible. Meta data verification will apply.

  • Colour or black and white photos accepted.

  • Photos must not contain watermarks, signatures, or frames

  • Content deemed by the Curatorship to be sexually explicit, nude, obscene, violent, or otherwise inappropriate will be disqualified.

  • No restrictions on the camera model or type used, including mobile phone cameras.

  • No drone photography will be considered.

  • The jury’s decision is final and cannot be appealed.

  • By participating in this competition, photographers grant the organisers the right to publish, exhibit and post the photos on social media to promote the festival, provided the creators’ names are mentioned, without remuneration.

  • The copyright of the photographs belongs to their creators.

  • Photographs submitted to the competition must be original works and the exclusive intellectual property of the participating photographer.

  • The Festival bears no responsibility for any claim, objection or complaint relating to copyright or personality rights. Responsibility lies solely with the participating photographer.

  • All prints will be destroyed once the exhibition has ended.

  • Participation in the competition implies full and unconditional acceptance of its terms and conditions. Any violation or non-compliance with these terms and conditions will result in exclusion from the evaluation process.

Time Restrictions on Photography Capture

To ensure the Dublin Street Photography Festival open call features new and contemporary work, we implement the following capture time limitations:

  • Single Image and Street Portrait Categories: Photographs submitted must have been captured between 1 January 2025 and 31 January 2027. This restriction promotes the consideration of new and fresh work for selection and exhibition.

  • Series Category: Recognising that series projects often require considerable time for development and completion, entries in the Series category are exempt from any time restriction. You may submit cohesive projects regardless of the capture dates, provided the work adheres to all other eligibility rules.

  • Some photographers may be asked to provide the original RAW or jpeg file (for verification purposes).

Submission Guidelines

To ensure a smooth judging and potential exhibition process, please comply with these technical requirements:

Format

.jpg

Colour Space

RGB

Dimensions

Long side must be 4000 pixels.

File Name

Name single and street portrait files as: Surname_Name_PhotoNumber.jpg
(e.g., Murphy_Anna_01.jpg)

Name series files as: Surname_Name_SeriesTitle_PhotoNumber.jpg
(e.g., Murphy_Anna_Moments_01.jpg)

Finalist Notification
& Exhibition Files:

Finalists will receive an email notification if their work is selected as one of the finalist photographers.

Our Selection and Judging Process Explained

In order to provide transparency and fairness, we are publishing our Selection and Judging Process agreed by our judges.

The role of judging involves selecting the most impactful, original, and technically excellent photographs that represent the best of contemporary street photography for the Dublin Street Photography Festival.

Competition Categories

The competition features three distinct categories.

1. Single Image

Category Focus: A powerful candid street photograph that captures a unique moment, atmosphere, or narrative in a public space.

What It Means: This category seeks a standalone image that is impactful, well-composed, and tells a compelling story without relying on any other images. Judging focuses on the individual image's strength, timing, and visual execution.

2. Series

Category Focus: A cohesive set of 5 to 10 candid street photographs that explore a specific theme, location, or narrative over time.

What It Means: A Series requires all images to work together to present a deeper perspective or ongoing story. Each image must contribute significantly to the overall statement. The jury will assess the consistency, flow, and combined impact of the collection.

3. Street Portrait

Category Focus: A single photograph focusing on a human subject in a public environment, where the individual is the main focus of the composition.

What It Means: This category celebrates spontaneous engagement with a subject, with minimal or no directorial input, for the purpose of creating an environmental or street portrait. Ideally, the subject should be the one deciding how to present themselves in that moment.

Judging Criteria

Judges must evaluate entries based on a balanced assessment of the following factors being mindful of each category focus:

  • Impact and Emotion: Does the image immediately grab attention? Does it evoke a strong emotion, curiosity, or recognition of the human condition?

  • Originality and Vision: Does the photograph offer a fresh perspective? Does it move beyond the typical snapshot to demonstrate a unique photographic eye and style?

  • Composition and Storytelling: Is the frame well-constructed, using elements like light, lines, and shape effectively? Does the image clearly convey a candid moment, narrative, or connection to the street environment?

  • Technical Excellence: Is the focus sharp where intended, is the exposure appropriate for the mood, and is the overall presentation high quality?

  • All images will be presented without the photographers name on view.

Selection Process

Preselection Committee: A preselection committee will select a shortlist of entries to be presented to the Main Jury Panel. The preselection committee will consist of the three current winners of DSPF: Susanne Bartels, Michele Zousmer, and Sakulchai Sikitikul.

Main Jury Panel: A specialised street photography jury will select the finalists and winners. The panel will feature internationally recognised street photographers: Matt Weber, Kerlynne Wintels, Stephen Leslie, Anna Lohmann, and Julie Hrudová.

Single Image:

Decisive Moment and Stand-Alone Strength. The image must function powerfully in isolation.

  • A semi-finalist list of 150 single images will be selected by the preselection committee (these will be exhibited digitally during DSPF 2026).

  • From the semi-finalists: Each Judge selects 8 Finalists + 8 Alternates (ranked 1 to 8)

  • 40 Finalists will be exhibited

Series:

Cohesion and Depth of Narrative. How well the images work together to explore a singular theme or story over time.

  • A semi-finalist list of 30 series will be selected by the preselection committee (these will be exhibited digitally during DSPF 2026).

  • From the semi-finalists: Each Judge selects 2 Final Series + 2 Alternates (ranked 1 to 2)

  • 10 Finalists will be exhibited

Street Portrait:

Connection and Context. This category celebrates spontaneous engagement with a subject, with minimal or no directorial input, for the purpose of creating an environmental or street portrait. Ideally, the subject should be the one deciding how to present themselves in that moment.

  • A semi-finalist list of 120 images will be selected by the preselection committee (these will be exhibited digitally during DSPF 2026).

  • From the semi-finalists: Each Judge selects 6 Finalists + 5 Alternates (ranked 1 to 5)

  • 30 Finalists will be exhibited

Why Finalists and Alternates:

Finalists: These are the priority selections that must be included in the final exhibition pool.

Alternates: These images serve as substitutes in the event of any duplicate selections across the judging panel or if a finalist is later disqualified. We strive to include as many photographers in our finalist selection as possible - we will limit each photographer to one entry in the finalist pool of each category (no matter how many images entered into the competition) and alternate selections may be used for this purpose.

Prize Winners Selection

1st, 2nd and 3rd prize in each category will be selected by the Jury Chairperson: Matt Weber.